The Coptic Museum ,Wall paintings
Almost all Coptic wall painting is monastic. They were never intended to be great works of art, but some of them, and in particular those at Bawit and Saqqara from the 6th and 7th century, show a relatively high standard. These murals were applied to mud-brick walls which had been plastered and white-washed. The only technique used for Coptic murals was tempera.
Those paintings from the Monastery of Saint Apollo at Bawit (in the Bahariya Oasis), dating between the 6th and 8th centuries, consist of figural scenes including episodes from the Old Testament, representations of Christ the Pantokrator and the Holy Virgin and Child, often flanked by apostles, figures of monks and saints, medallions depicting the virtues, floral and geometric dadoes, and even hunting scenes.
The murals of the Monastery of Saint Jeremias at Saqqara are more or less similar to those of Bawit. The figures are strictly frontal and usually distinctly separated from each other. The presence of Byzantine influence can be seen, but the wall paintings are nevertheless not without originality in some themes as well as in style.
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