The Coptic Museum ,part 2

 

The Coptic Museum in Cairo, Egypt

 

 

The most striking stylistic feature of Coptic figurative representation are the exaggerated rounded or oval eyes, under relatively thick eyebrows, and the contrapposto position (the weight of the body thrown onto one leg). Garments are often depicted with details of pleats and folds. The figures range from tall and slim to the short and thickset. Facial expressions usually span a narrow divide between non-committal to somber.

 

 

Yet, some influences remained. As Christianity arose, the old indigenous religion and that of the Greek educated ruling elite had not yet vanished. Even though the style and form may have changed, Coptic Christian art featured a substantial amount of episodes from Greek religious thought, particularly the sculpture of Ahnas and textiles. The use of such motifs in a Christian context is somewhat puzzling, and we can really give no definitive solution to this, other than the overlap which occurred between these two cultures. In fact, it would certainly seem that a number of pagan themes were de-paganized and recycled to convey messages in keeping with Christian values. It has been argued that such themes themselves may have become a symbol of the triumph of Christianity over paganism.

 

 

 

The largest collection of Coptic Christian artifacts in the world, with some 16,000 pieces, belongs to the Coptic Museum in Cairo. Indeed, this museum represents more than simply a collection of ancient Christian art. Perhaps no more so than for its western Christian visitors, it embodies the very instant when the old, pagan world collided with that of their modern Christian world. It is an eye-opener for many, as it documents this not altogether gradual but very significant moment in time.

 

The first exhibition of Coptic art was held in Cairo during the nineteenth century in the "Salle Copte" at the Boulaq Museum. In 1908 Marcus Simaika Pasha founded the Coptic Museum on behalf of the Coptic Church. He chose for its location a unique place in Old Coptic Cairo, within the walls of the great Fortress of Babylon and surrounded by Cairo's oldest churches. With the support of Patriarch Cyril V he purchased artifacts from churches, monasteries, houses and private collections.

 

The old, original wing of the museum is in itself a fine piece of architecture consisting of a series of large rooms, roofed over with ancient decorated wood and containing beautiful mashrabiya. Its walls are overlaid with fine slabs of marble, arches a and tiles. In 1931 the Egyptian government recognized the significance of the Coptic Museum and made it a state institution. Afterwards, the greater part of the magnificent Coptic collection in the Egyptian Antiquities Museum was transferred to the Coptic Museum in 1939.

 

Then, in 1947 a large New Wing with a style complimentary to the old one was opened It too had carved wooden ceilings as well as picturesque fountains. It was later renovated with modern methods of exhibition and reopened on March 8th, 1984. Only recently was it once again renovated.

 

The "General Catalogue of the Coptic Museum", an ongoing international project, was initiated in 1986 to compile an current catalogue of all the objects in the museum. The Museum's rich collection is arranged mostly according to media.